Mare Fecunditatis—resurrection (2025) Steel, urethane resin, proprietary compound made from epoxy, coral, seashell, fossil, animal bone, lapis lazuli, turquoise, jade, amethyst, blue quartz, green fluorite, red jasper, rose quartz, alabaster, soap stone, sea glass, and marble. H23 x 90 x 24 in.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Wide installation view of the long horizontal hybrid sculpture displayed on a low metal platform, showing the sprawling, chaotic arrangement of interconnected organic forms in white and gray tones with black accents and highly textured surfaces.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Close-up detail of the dynamic multi-limbed hybrid section showing chaotic, creature-like organic forms in white and gray tones with metallic accents and extended structural elements.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Elevated angled view of the multi-limbed hybrid sculpture showing chaotic, creature-like organic forms in white and gray tones with black metallic accents and textured surfaces, displayed on a metal platform.
Yasue Maetake's close-up of a textured, mixed-media sculpture with organic, coral-like shapes and colors including white, black, gray, and hints of orange, set against a plain white background.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Side view of the long horizontal hybrid sculpture with a sprawling, chaotic arrangement of interconnected organic forms in white and gray tones with black accents and highly textured surfaces, displayed on a metal stand.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Close-up angled view of the multi-limbed hybrid sculpture showing chaotic, creature-like organic forms in white and gray tones with rough textured surfaces and prominent dark metallic structural elements.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Elevated three-quarter view of the complex multi-limbed hybrid sculpture showing chaotic, creature-like organic forms in white and gray tones with black metallic accents and textured surfaces, displayed on a metal platform.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Close-up detail of the prominent shiny silver metallic head-like form with a large irregular open mouth, surrounded by layered multicolored glazes and rough textured organic materials.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Close-up detail of the intricate coral-like cluster showing highly porous white and gray forms with multicolored glazes and embedded organic materials.
Yasue Maetake's sculpture made of various materials resembling a dragon or mythical creature, with textured, layered surfaces and a mix of colors including cream, white, black, and brown.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Close-up detail of the hybrid surface featuring prominent shiny dark metallic elements with rough, craggy texture and embedded organic forms, surrounded by multicolored glazes and porous white structures.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Close-up detail of the hybrid surface featuring prominent shiny dark metallic elements with rough, craggy texture and embedded organic forms, surrounded by porous white structures and multicolored glazes.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Wide angled installation view of the elongated multi-limbed hybrid sculpture showing the full sprawling length of chaotic creature-like organic forms in white and gray tones with black metallic accents, displayed on a low metal platform.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Close-up detail of the dense, coral-like cluster of the hybrid sculpture showing rough, porous white and gray forms with multicolored glaze accents, embedded shells, and dark metallic elements.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Close-up detail of the hybrid surface showing prominent shiny dark metallic elements intertwined with rough, porous white and gray organic forms and patches of multicolored glazes.
Yasue Maetake's sculpture Mare Fecunditatis – resurrection, 2025. Wide installation view of the long horizontal hybrid sculpture with a sprawling, multi-limbed chaotic arrangement of interconnected organic forms in white and gray tones with black metallic accents, displayed on a low metal platform.