[…] Named after a lunar mare, a large dark basaltic plain in the eastern half of the moon, the exhibition MARE FECUNDITATIS (2025) at Silverlens Gallery, Manila, consists of six new sculptures in Maetake's distinct artistic method, advancing a lineage from her past works. Maetake refers to the organic matter found in her sculptural works as “prima materia”, a proprietary blend of calcium, other minerals, polymers derived from marine organisms, animal bones, fossils, and various gemstones. This material is then finished by Maetake using stone-polishing techniques. In this way, Maetake is not merely an assembler of found objects; she is the creator of the very substance of her work. Her agency is evident not only in the creation of these material bodies but in what she allows to fall away from the raw material…

—Excerpt from exhibition essay by Yayoi Shionoiri, “Clarity in Reductionism: Yasue Maetake’s Sculptural Bodies”

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Exhibition Video

[…] In this video, Yasue Maetake welcomes us into her Brooklyn studio to talk about her otherworldly sculptures, in celebration of her first solo exhibition in the Philippines, ‘Mare Fecunditatis’. Referring to the organic matter used in her work as her prima materia, she is not merely an assembler of found objects but the creator of the very substance of her work…

06:00 minutes | Yasue Maetake: Mare Fecunditatis | published by Silverlens, September, 2025

  • Yasue Maetake, Mare Fecunditatis - resurrection, 2025. Long horizontal hybrid sculpture with a chaotic procession of interconnected organic forms in white, gray, and muted tones, highly textured surfaces, placed on a dark metal base.

    Mare Fecunditatis—resurrection

    2025

    H23 x 90 x 24 in.

    Steel, urethane resin, proprietary compound made from epoxy, coral, seashell, fossil, animal bone, lapis lazuli, turquoise, jade, amethyst, blue quartz, green fluorite, red jasper, rose quartz, alabaster, soap stone, sea glass, and marble

  • Yasue Maetake, Primordial Soup, 2023-2025. Tall hybrid sculpture on a three-legged tripod base with a central wooden support, light wooden fan structure, and upper assemblage of textured organic and metal forms with a hanging branch element.

    Neuro Estuary

    2025

    H69 x 40 x 32 in.

    Steel, urethane resin, urethane foam, chrome pigment, cast zamak alloy, proprietary compound made from epoxy, coral, seashell, fossil, animal bone, lapis lazuli, turquoise, jade, amethyst, blue quartz, green fluorite, red jasper, rose quartz, alabaster, soap stone, sea glass, and marble

  • Yasue Maetake, Primordial Soup, 2023-2025. Tall hybrid sculpture on a three-legged tripod base with a central wooden support, light wooden fan structure, and upper assemblage of textured organic and metal forms with a hanging branch element.

    Primordial Soup

    2023 - 2025

    H59 x 26 x28 in.

    Cast aluminum, oak, plexiglass, cast polyurethane resin, driftwood, found steel chain, proprietary compound made from epoxy, coral, seashells, animal bones, fossils, alabaster, sea glass, origami, red jasper, jade, rose quartz, amethyst, blue quartz, green fluorite, and turquoise

  • Yasue Maetake, Ceremonial Delta II, 2025. Wall-mounted hybrid sculpture featuring a large light-brown pleated oak fan structure with a dense, protruding organic form composed of multicolored shells, stones, and textured materials.

    Ceremonial Delta II

    2025

    33 x 28 x 12 in.

    Oak, camel bone, proprietary compound made from epoxy, coral, seashell, fossil, animal bone, lapis lazuli, turquoise, jade, amethyst, blue quartz, green fluorite, red jasper, rose quartz, alabaster, soap stone, sea glass, and marble

  • Yasue Maetake, Ceremonial Delta I, 2025. Wall-mounted hybrid sculpture featuring a large black pleated wooden fan structure with a dense, protruding organic form of multicolored shells, stones, and metal.

    Ceremonial Delta I

    2025

    30 x 20 x 8 in.

    Oak, cast aluminum, proprietary compound made from epoxy, coral, seashell, fossil, animal bone, lapis lazuli, turquoise, jade, amethyst, blue quartz, green fluorite, red jasper, rose quartz, alabaster, soap stone, sea glass, and marble

  • Yasue Maetake, Mare Fecunditatis - Fetus, 2025. Long horizontal wall-mounted hybrid sculpture with an elongated, irregular organic form of textured white and multicolored surfaces, attached to a dark metal strut.

    Mare Fecunditatis—fetus

    2025

    H8 x 40 x 7½  in.

    Steel strut channel, cast aluminum, urethane resin, proprietary compound made from epoxy, coral, seashell, fossil, bone, lapis lazuli, turquoise, jade, amethyst, blue quartz, green fluorite, red jasper, rose quartz, alabaster, sea glass, and marble